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| Climate change. The Z6 is a good general purpose, do-almost-anything mirrorless interchangeable lens camera. |
There is always the potential for mistakes when a camera maker makes the transition from
the familiar realm of DSLRs to the less well understood world of mirrorless
interchangeable lens models (MILC).
Panasonic and Olympus made plenty of ergonomic mistakes with
their first MILC cameras but that was 12 years ago. Successive model
generations since then have shown improved image quality, performance and
ergonomics to the point their recent models are in most respects exemplars of
how to do it right.
Nikon’s first MILC attempt was the ill fated “1 Series”
which has fortunately been abandoned.
Sony’s earliest APS-C and full frame MILCs presented the
user with many user interface and ergonomic frustrations. Current models are
more user friendly but there remains plenty of room for further improvement.
Canon’s dual entries into the MILC world in the form of the
EOS-M series and more recent EOS-R series have been plagued by puzzling design and product development
decisions.
By comparison Nikon’s initial Z series models (Z6, Z7 and Z50) have gotten
most things right and not much wrong.
There is still opportunity for improvement but that is
mainly in the details. I think they got the basic formula pretty much right.
So on to this evaluation and ergonomic score of the Nikon
Z6. This follows my usual format which you can read about here.
Update 2 April 2020: After further use I have adjusted some subscores for the Z6 downward slightly. This slightly reduces the total score.
Setup Phase
I managed most setup tasks without reading the reference
manual and having little familiarity with Nikon ILCs.
Menus are laid out clearly with a good graphical user
interface.
Most menu items are readily understood.
There is a My Menu with user selectable content. Stills and
video function can be configured separately. There is a separate video menu.
Nikon uses a similar layout to Panasonic with submenus down
the left side of the screen. This works well enough but you have to scroll up/down
item by item.
I find the Sony/Canon layout more effective with submenus
along the top of the screen. This allows the user to scroll a whole screen at a
time for faster item location.
Setup score 13/15
Prepare Phase
This is well managed. The camera can readily be configured
for changing conditions. There are U1, U2 and U3 memory positions on the Mode
Dial and plenty of programmable function buttons including the (i) button with
user selectable content.
There is a separate stills/video switch.
Some reviewers have complained that they would like the
camera to have more control access points with user allocated function but I found
the camera to have enough controls for all my needs.
In fact I find some cameras like the Lumix G9 and Sony
RX10.4 have so many control access points
I find the cameras easier to use with
many of these disabled.
Prepare score 12/15
Capture Phase
Holding
The handle has decent depth and fatness but is too short for adult male hands, leaving the little
finger with nothing to grip. This problem is exacerbated by the location of the
front command dial which takes up vertical height on the handle.
I have posted separately about this issue and my suggested
solution to the problem in the form of the Meike MK-Z7G accessory grip.
The thumb support is adequate but could be deeper to
advantage and moved 3mm to the left along with the thumb stick to allow the thumb to angle across the back of
the camera a bit more for a more secure grip.
Holding the Z6/7 represents a backwards step from holding a
comparable Nikon DSLR.
Users really hate it when a new model presents them with
some aspect of camera operation which has gone backwards from the previous
model.
Nikon could and should easily fix this in the next iteration
by raising the top plate and re-working the layout of the shutter button and
front dial.
Holding score 13/20
Capture Phase Viewing
The Z6 has one of the nicest looking EVFs I have seen on any
camera. It is very large and clear and presents the user with a very natural looking
view of the world. Camera data is clearly displayed in white on black beneath
and above the preview image.
The AF area is red, changing to green when focus is
achieved.
The EVF optics and eyecup provide a pleasant and relaxed
viewing experience. I would prefer a fatter eyecup but others might not.
The monitor screen is large and clear with a natural looking
view of the subject. The actual panel is very nice.
Unfortunately there are two issues with the monitor screen
that I rate as problems although some users might not be concerned.
The first is that camera data are superimposed over the
lower part of the screen. I presume this has been done to maximise the size of
the preview image on the screen. Unfortunately the data and the image interfere
with each other making each more difficult to see easily than would be the case
if the data were presented as it is in the EVF.
The second is that the screen can flip up/down when the
camera is held in landscape orientation. But in portrait orientation in it not possible
to flip the screen down for low or high level viewing.
It is also not possible to turn the screen forward for
vlogging.
So we have excellent technology but somewhat compromised
implementation.
Viewing score 16/20
Capture Phase Operation
This is basically well implemented.
All primary and secondary exposure, framing and focus
parameters can be adjusted with the eye to the viewfinder without having to
change grip with either hand. All this
is possible without but easier with the accessory grip extender in place.
The thumb stick is an 8 way type and is well placed. When I
first looked at the camera I thought I would inadvertently bump the thumb stick
as it is quite close to the thumb support but am happy to say that has never
happened.
All the controls (except the front command dial) for Capture
Phase operation are well placed with good haptics.
The Z6 loses points for some relatively minor issues which
could easily be rectified at the next iteration.
The size of the active AF area cannot be adjusted directly
but is considered an AF Area Mode accessed via a menu. This menu item can be
allocated to a function button which improves things somewhat.
Panasonic and Sony have a system which makes the AF frame
active or inactive and when active both position and size are readily changed
directly. Nikon and Canon should consider changing to this system.
Face/eye focus implementation on the Z6 is a bit odd. It
only works if the AF system is in Auto Area Mode. There have been numerous
complaints by reviewers and on user forums about this. Nikon needs to
re-consider this aspect of operation.
There are no zebras with still photos.
The Auto-ISO-Min-SS system is good and works like the Sony
one which is just fine. But changing the auto setting requires entering a menu.
This item can be allocated to a function button but even then 11 button presses
are required to make a change. Nikon might like to check out how Sony does this
with fewer button presses. It’s not hard.
Operation score 17/25
Review Phase
The Z6 does everything I expect an expert/enthusiast camera
to do in playback. Image review can be magnified at the focus point in one step
by pressing the OK button. Scrolling around and between images in playback is
easily managed.
I just mention the redundant +/- buttons on the back of the
camera. These are a Nikon feature which is not required and is not present on
any other camera which I have owned. In playback all my other cameras enable
image zooming and navigation with the control dials. Nikon could easily delete the
+/- buttons with no detriment to any functions.
Review score 5/5
Total score 76/100
Comment
The Z6 joins a cohort of
cameras each scoring in the mid-70 range.
Each of these cameras has different ergonomic strengths and weaknesses, each is a pleasure to use and each could readily be improved.
I think Nikon has done well to produce a high scoring
model on its first iteration of the Z series.
By way of comparison the Nikon1 V2 scored second lowest with
46/100. Only the truly execrable
Sony A3500
scored less at 39.
So the designers at Nikon are learning and are lifting their
ergonomic game.
But they have still more work to do, in particular on that
short handle and the relationship between the shutter button and front control
dial.

This ergonomic score review for the Nikon Z6 is really insightful and gives a clear look at how thoughtful design impacts real‑world usability. It’s helpful to read about how things like grip comfort, button layout, and weight distribution can make a big difference when shooting for long periods, especially for photographers who depend on their gear for events, travel, or professional work. Understanding the physical feel of a camera is just as important as specs like megapixels or autofocus performance, because it affects how comfortable and confident you are behind the lens. If you’re also curious about other Nikon cameras that balance performance with ease of use, this The Nikon Coolpix L100 Camera review is a valuable resource. It breaks down the Coolpix L100’s features, zoom capabilities, and why it remains a solid point‑and‑shoot option for everyday photography, travel, and casual shooting.
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