I was an early adopter of the Micro Four Thirds system (MFT) in 2009 for two reasons.
I had become frustrated by Canon’s inability to fit their
enthusiast level DSLRs with reliable autofocus and I could see that mirrorless
interchangeable lens system cameras (MILC) would supplant digital single lens
reflex types in due course.
MILCs have fewer components of which fewer are mechanical in
nature. It follows that MILCs will be less expensive to make than DSLRs and
less prone to errors resulting from misalignment of mechanical components. The
MILC type can also have more accurate autofocus because the AF sensors are
right on and are part of the imaging sensor.
For example: The Canon EOS 5D.4 (DSLR) and the Canon EOS R (MILC) both use the same sensor
and deliver essentially the same image
quality. The R is reported by users to have a more accurate and consistent
autofocus system.
I did a price check today and found the 5D.4 selling at
AUD3454 new retail and the R at AUD2293.
The R is smaller, lighter, has a better AF system and is
$1161 less expensive.
MILC wins convincingly on all parameters relevant to the
user experience.
The number of DSLRs being offered has declined dramatically
over the last 2 years and will no doubt approach zero soon. Ricoh/Pentax have said they will not try to make the transition to MILC.
Olympus and Panasonic showed considerable courage over ten years ago by betting on MFT
as the way forward.
As it happens they got one thing right: Mirrorless was the
way to go.
And one thing wrong: The quarter size Four thirds/ Micro
four thirds sensor. I am just an
ordinary consumer with no inside knowledge of the decision making processes of
any of the camera makers so I really have no idea why they chose the small
sensor.
The choice seems especially puzzling as Olympus had failed
in their bid to persuade buyers to embrace their Four Thirds system DSLR
cameras over the established Canikon models of the time.
The Micro four thirds system has two main problems, both of
which are intractable and cannot be overcome:
1. No matter which way you evaluate it larger sensors can
deliver better image quality than smaller ones. New technology will not help
smaller sensors because larger sensors will simply utilise the same new tech.
2. In the early days of MFT the main selling point of the
system was the small size of bodies and lenses relative to the DSLRs of the
time.
But now we have full frame MILCs and that selling point has
almost evaporated.
MFT bodies are no longer significantly smaller than full
frame MILC bodies across the model range.
The elements which determine the size of a camera body are the monitor
screen, EVF and housing, handle and
controls, battery, IBIS unit and heat sink architecture.
The other part of the size equation is the lenses.
Understanding this is a bit more difficult due to the equivalence issue. This
has in the past been a hot topic on user forums as some people had difficulty
understanding the concepts involved.
We need to consider focal length/angle of view equivalence
and aperture/depth of field equivalence.
The traditional full frame 24x36mm sensor has a diagonal
of about 43mm and an area of 864 square
mm.
The MFT sensor measures 13x 17.3mm giving a diagonal of
about 21.5mm (half that of full frame) and an area of 225 square mm (a quarter of full frame).
They have a different aspect ratio but that does not impact
our considerations in any substantial way.
Focal length/angle of view equivalence is easy enough to
understand and generates no controversy.
Full frame focal length is equivalent to MFT focal length
x2.
Thus a 25mm lens on MFT has about the same angle of view as
a 50mm lens on full frame.
But when we come to consider
aperture/depth of field equivalence things get a bit more complex.
Consider the case of any object. It might be an elephant or
a car, a boat, whatever. If we double the linear dimension the surface area
increases 4 times (2x2) and the volume 8 times (2x2x2). So
when we scale something up or down different attributes increase or decrease at
different rates.
Thus a MFT lens 25mm f1.4 does not have the same light
gathering capability or depth of field as a full frame lens 50mm f1.4.
It is actually equivalent to a full frame lens with an
aperture value two stops smaller, 50mm f2.8.
And this is how the second problem for MFT arises. Compact MFT lenses are only smaller because they are
not actually equivalent to full frame ones with the same f stop.
Here is an example:
You can buy a Canon RF 50mm f1.8 lens for RF mount full
frame cameras. It is compact, light,
cheap and very sharp stopped down a notch or two. Retail price in
Australia is around AUD 339.
The equivalent MFT lens would be 25mm f0.9. But no such
thing exists and if it did it would be huge and cost a mint.
The nearest we have is the Olympus M.Zuiko 25mm f1.2. This
is larger and heavier than the RF
Canon and at AUD 1649 costs five times
as much.
We could trawl through the whole catalogue of lenses and
make the same discovery over and over.
By the way I have read reviews of that M. Zuiko 25mm f1.2
which tell us what we knew already, which is that the design and construction
of ultra wide aperture lenses is difficult and not many of them are sharp wide
open. So you spend all that money and still have to close the aperture down to
f2.8 for sharpness across the frame. That is equivalent to f5.6 on the Canon RF
50mm f1.8 at which aperture the Canon is super sharp across the frame and has
the benefit of sitting in front of a better sensor with more pixels and greater
dynamic range.
Two years ago I realised that the end was nigh for Micro
Four Thirds and sold off all my MFT gear while I could.
Panasonic has directed almost all its R&D into full
frame and Olympus sold off its imaging
division. The rats are leaving the ship.
I went with Canon RF
mount which is working out well with a decent amount of R&D coming through even with all the
present problems arising from Covid-19 and chip supply issues.
What about APSC ?
When I run the numbers it is clear that APSC systems have
the same problems as MFT, just not to the same degree. So I guess APSC will
linger longer. But I think the camera makers would prefer to rid themselves of
APSC to simplify their product catalogues and reduce their fixed costs.
I think APSC cameras are to camera makers very much like
compact sedans to car makers: A good thing as long as they can sell boatloads
of them.
Once sale volumes decrease, the end is nigh for any kind of
product with a thin margin per unit.
Crystal ball ?
I think that camera makers will do their best to entice
their customers
a) to my brand, not that other one
b) to a MILC system
c) a full frame system.
They have already gone a considerable way down this
path. Each is spruiking the advantages
of their own brand. Even Nikon which has not been looking too strong recently
appears to have redeemed itself with the Z9 which is giving the Nikon faithful
something to cheer about even though most of them will not actually buy the
thing.
Soon we will have the trifecta of top level pro bodies in
place. These are the Sony A1, Nikon Z9 and the not yet announced but much
rumored Canon R1. The R3 has been announced though and that model is close to
top tier.
When these halo models have been settled into place in their
respective hierarchies, the makers can turn their energies to the other end of
the spectrum in the form of very compact, low cost full frame mirrorless
models. These will be attractive to buyers who in the past would have gone for
APSC.
The camera makers have signalled their intentions in this
market space with the Sony A7C, Nikon Z5
and Canon RP.
I think it likely that camera makers want to divest themselves of all
DSLRs and all kinds of crop sensor models and lenses.
Whether buyers will let them do that as quickly as they might
like remains to be seen.
Maybe a few high spec compacts and some superzoom bridge
types will survive the cleanout. Some models such as the Panasonic FZ300 have great
versatility with a huge zoom range in a light compact package with potentially decent
but inconsistent image quality. If something like that model had a better lens
and better image quality I would be tempted to use it for travel duty. That is,
when we can travel again after the Covid lockdowns in Australia.
We shall see how this all plays out.

Your reasoning is faultless, butI think that aps-c has some chances because in many cases it is in the same line as full frame (e.g. Nikon and Sony) and may share the same lenses. As long as the format is available, and people can access it, it Will stato because even thought inferior ti full frame it produces high quality images. My point is that with full frame many people buy more quality than they can reasonably use.
ReplyDeleteIf bigger was always better why didn't you use medium format instead of the the small format of 35mm?
ReplyDeleteAlso the RP is 1 stop worse DR than M4/3, if you use a lens with 2 stops slower, you'd be 3 stops worse.
Bet you've never used flash before because M43 has 2 stops advantage there compared to 35m format.
You've been buried so deep in BS that you can't recognize its smell anymore.
This write up is spot on - MFT filled a certain gap (interchangable, small and light) at a certain time (earlier pens). Starting with the OM-D and attempting to punch above the weight transformed it into an identity-less hybrid which inevitably became irrelevant once FF moved into mirrorless territory. Take the RP - lighter than the O-MD MK3 and the dirt cheap and lovely RF 50 mm 1.8 which is excellent BTW has no MFT equivalent in terms of DOF (that would be F 0.9, weighs a ton and costs a fortune)or compression (That would be a wide 25mm).
ReplyDeleteI would suggest that the arguments that you make are very similar to the arguments posed in the Betamax, VHS, Video 2000 debate when VCRS were in vogue. The technical geeks of the time would all tell you that the best system by far for video reproduction was Video 2000 followed somewhat lamely behind by Betamax with VHS coming 3rd. What they failed to realise was the general public are not all geeks and do not buy based on technical spec. Marketing, innovation convenience and support and cost were huge factors in the choice of which system succeeded. For this reason the media giants were persuaded to back VHS and the rest was soon history. The micro four thirds system has always managed to get there first in terms of innovation and technology and did not restrict it to cameras which were out of reach to all but wealthy professionals. I have no doubt that your correct with all you say, but you are naiave by taking a totally technical view to support your argument. Ultimately photographers take pictures not cameras, the camera is just the tool. Undeniably all modern cameras are capable of producing outstanding results in the hands of talented photographers. Lets see how the market decides who succeeds or fails.
ReplyDelete