| Classic Sydney Harbour scene. Ferry, Opera House, Bridge. RX10M4 |
Modes (Still photos)
Modern cameras
have lots of modes. We usually want to make mode selections in Prepare Phase of
camera use to get ready for a change in photographic requirements.
Shoot Mode
I will assume that anyone reading this series of posts is an
enthusiast photographer or a camera owner heading in that direction. This
involves using the P,A,S,M Modes most of the time.
Hence I have little to say about operating the camera in
Auto (green) Mode on the shoot mode Dial.
The RX10M4 is really not a beginners or snapshooters camera.
It is a complex, high performance device
better suited to enthusiast and expert users.
There are plenty of snapshooter friendly bridge cameras on
the market. Sony has the HX400V and several variants.
The topic of “best shooting mode” always provokes plenty of
debate on user forums with users strongly supporting their preferred approach.
Any of the P, A, S, M modes is of course able to make
correct exposures. But different circumstances favour different modes.
My practice is to use P (Programmed auto exposure) for all
general photography. This works well on the RX10M4 because of the flexibility
and versatility of the ISO Auto Min.SS
function, see previous posts. The auto
ISO algorithm is very effective at picking the optimum aperture/shutter
speed/ISO firing solution in most circumstances.
In addition Program Shift is available simply by turning the
control dial. This changes the Aperture/Shutter Speed relationship without
changing exposure.
I suspect there might be a bit of a cult on forums involving
users who appear to believe that P Mode is for dummies and that “real”
photographers use the more difficult to manage A, S, M Modes. It ain’t so.
I reserve A (Aperture Priority auto exposure) Mode for those
times when the picture taking process is
deliberative and I want to control depth of field. This might be for a
landscape situation or with the camera on tripod at night.
S (Shutter Priority auto exposure) can be useful when
photographing sport/action or other subject requiring a fast shutter speed.
However for these situations also consider P Mode with [ISO Auto Min.SS] set to
[Faster].
M (Manual exposure) is essential for specific situations
including multi shot panorama (for stitching in post processing) and fireworks.
For general photography it is not so suitable as adjusting
aperture with the ring around the lens housing is slow and requires many
movements each complex and the control dial which changes shutter speed is an
awkward thing to use.
I think that people who say they routinely use M Mode are
just making life difficult for them selves.
I described use of the MR Mode Dial position in the previous
post.
Video and HFR are
not covered in this series of posts.
Panorama is
executed so badly on the RX10M4 I regard it as useless. I gather from users on
forums that this was also the case on the RX10M3. Apparently Sony has not
managed to fix the stitching process yet.
This needs an urgent update.
Scn Mode I never use this as the various functions
hand control of most settings to the camera.
Focus Mode
See Page 70 of the Help Guide.
S (Single) and C (Continuous) are self explanatory.
I have noticed on user forums that some people say they
routinely leave the setting at C, even for still subjects. The rationale for
this appears to be the idea that S uses contrast detect AF and C uses phase
detect AF and some users think the phase detect AF works better.
My experience after several thousand exposures is that AFS
works just fine for still subjects including perched birds. So I use it
routinely for all general photography and anything not in continuous motion.
Obviously for subjects in motion, sport/action, birds in
flight and the like, you need the AFC setting.
Between S and C is an A setting. This appears to have a
function similar to that of AFF on Panasonic cameras. It is a “helper” setting
supposed to work like AFS if the subject is still and switch to AFC if the
camera detects subject movement.
I never found this to work reliably on my Panasonic cameras
so have not really tried it yet on the Sony.
DMF allows you to have AF+MF simultaneously. This could be
quite useful for specific subjects such as close ups where you might want to
fine tune focus. The manual focus aids (peaking, zoom-in) spring into action when you turn the manual
focus ring.
M is Manual. This is essential for panoramas and fireworks
and other subjects where you must ensure focus if fixed for a series of shots.
Go to Menu>Camera Settings1>(12/14)>MF Assist,
Peaking Level and Peaking Color to adjust these settings.
Drive Mode
This is best allocated to one of the buttons with user assigned
function. I have it on the Right Button.
See Pages 104-105 of the Help Guide which describe all the
options quite well.
There re lots of options on this mode including various
kinds of bracketing.
By the way you can have the self timer together with exposure
bracketing on this camera. So if the camera is on a tripod you don’t have to press
the shutter button at the time of exposure.
To set this up,
1. Allocate [Self
timer during bracket] (pick your timer
delay) to the Fn button.
2. Then go to the Drive Mode and scroll down to Continuous
bracketing and select the number of shots and EV interval you want.
Switch the Drive Mode back to Single for normal shooting.
There are three options during Continuous Drive, Hi (24 fps),
Mid (10fps), Lo (3.5 fps).
The signature feature of the RX10M4 is that incredible 24
fps high frame rate with AF on every frame. This is video speed for still photos.
No doubt that is a remarkable technical achievement for Sony.
The thing is I cannot find a use for it.
Even the Mid rate of 10 fps generates
a huge number of files in just a few seconds. Yet the Lo rate of 3-3.5 fps is a
bit slow for many action subjects.
My preference is a rate of 5-6 fps which captures the elements
of action without generating an excessively large number of files.
Focus Area
I make this one of the modes accessible via the Fn button.
See Page 72 of the Help Menu.
As usual there are many options.
Wide is really a multi-area option with the camera deciding which
single or group of focus points it will select for focus. I have found that
when Wide is combined with AF Continuous the camera preferences subject
elements which are closest to the camera and/or are moving. This works well for
sport/action most of the time.
It is also effective with birds/helicopters etc in flight
when it is impossible to keep the subject exactly centered in the frame.
Center is just what it says.
I find no use for this at all. somebody will though.
Flexible Spot is not
really a spot focus area but a selection between three AF areas by size, small,
mid and large. The small setting is useful for birds and other small subjects surrounded
by visual clutter.
I use Flexible Spot for all general photography.
It is the only focus area mode which allows the user to
control both the position and size of the area.
Expand Flexible Spot appears to be just Flexible Spot-small with
an automatic expansion to Medium if focus is not achieved on the small area. I have
not used this as I am not sure how it might be better than Flexible Spot.
Lock-On AF is a “helper”
mode, only available if AFC is set on the rotary focus mode switch. The idea is that focus is acquired on a part
of the subject (such as the head of one’s running dog) then tracks focus on
that same part of the subject as it moves towards/away from the camera and
around the viewing frame.
In practice this produces lots of excited little green focus
indicators dancing around the frame but I am yet to be convinced it is useful.
Maybe I need to spend more time experimenting with the feature.
Metering Mode
This is can be allocated to the Fn button. This is one of
those modes which could encourage the ambitious user to make his or her life
much more complicated than it needs to be.
As usual in typically Sony fashion there are multiple
options.
The one I use routinely and leave set all the time is Multi.
This is the safest mode to use for general photography.
Then we have Center, Spot (Standard and large), Entire
Screen Average and Highlight.
Some users say they use Spot for birds which are often small
in the frame. That might be all right except if the bird is black or white when
Spot will likely under or overexpose.
Flash Mode
I allocate Flash Mode to the Fn button menu.
I generally set minus one
stop of flash exposure compensation for fill flash if required. This can be useful with backlit subjects.
See Page 199-204 of the Help Guide.
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